The destination, where Silva-Marin delivers us, is a place of innocence, charm and unexpected poignancy. The story has been much tampered with since first penned by librettists Viktor Leon and Leo Stein.
TOT has opted for the English version. His hapless little nation is on the verge of bankruptcy.
Its sole hope of financial salvation lies in the vast fortune of its wealthiest citizen, the beautiful widow, Anna Galawari. Only marriage to a fellow Pontevedrian can guarantee that her millions will stay put in the fatherland.
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Count Danilo Danilovitsch, first secretary of the embassy, is the ideal spousal candidate, thinks Zeta. A way must be found to secure a wedding.
Alas, the past has forced her and her former suitor, Danilo, apart and neither is keen to rekindle their romance. Too preoccupied with nuptial matters of state to notice, Zeta commands Danilo to wed Anna. Danilo adamantly refuses.
She and Danilo flirt. Pontevdrian males and locals alike are unanimous in their agreement that women are an inscrutable mystery.
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A mix-up surrounding a misplaced fan leads to even more complications when Baron Zeta thinks he spies Camille wooing his wife in a secluded pavilion. Or is it Anna? The ruse is spectacularly successful. Baron Zeta is overjoyed. Pontevedro is saved.
Justice has worked professionally on Australian stages in musical theatre and Australians screens in various television commercials from a young age. As a young singer, Justice completed her undergraduate degree in classical voice at the Sydney Conservatorium of Music under the leadership of Dr Narelle Yeo in Last summer in an Italian study trip she worked under the leadership of various coaches from the Royal Opera House and was mentored by various international opera figures such as; Lilian Watson, David Gowland, Nelly Miricioui, Salvatore Fisichella and Brian Dickie.
Justice speaks fluent Italian and is experienced in all genres of physical and vocal performance.
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Her classical repertoire spans over 5 languages and covers works from the late 16th to 21st century. Her primary vocal coach is the internationally renowned Armenian soprano Arax Mansourian.
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