Valance toys with Stoddard, shooting his arm and laughing at him. The next bullet, he says, will be "right between the eyes", but Stoddard fires first, and to everyone's shock, Valance falls dead.
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Doniphon watches Hallie care for Stoddard's wounds, then heads for the saloon. At his homestead, in a drunken rage, Doniphon sets fire to the addition that he has just finished in anticipation of asking Hallie to marry him. His African American ranch hand, Pompey, rescues Doniphon, but the house is destroyed.
At the statehood convention, Peabody nominates Stoddard as the territory 's delegate to Washington, D. Stoddard decides that he cannot be entrusted with public service after killing a man in a gunfight.
Doniphon takes Stoddard aside, and in a flashback within a flashback, confides that he, Doniphon, actually killed Valance from an alley across the street, firing at the same time as Stoddard. Reinspired, Stoddard returns to the convention, accepts the nomination, and is elected to the Washington delegation. The original flashback ends, and Stoddard fills in the intervening years. He married Hallie, and then, on the strength of his reputation as "the man who shot Liberty Valance", became the new state's first governor. He then served as a U. The reporter realizes that Stoddard's entire reputation is based on a myth, but after reflection throws his interview notes into the fire.
On the train back to Washington, Stoddard informs Hallie, to her delight, that he wants to retire from politics and practice law in Shinbone. When he tells the train conductor that he will write to railroad officials, thanking them for their many courtesies, the conductor replies, "Nothing's too good for the man who shot Liberty Valance!
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Multiple stories and speculations exist to explain this decision. Ford claimed to prefer that medium over color : "In black and white, you've got to be very careful. You've got to know your job, lay your shadows in properly, get your perspective right, but in color, there it is," he said. Filming in black and white helped ease the suspension of disbelief necessary to accept that disparity.http://taylor.evolt.org/habop-burriana-conocer.php
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Clothier , however, "There was one reason and one reason only Paramount was cutting costs. Otherwise we would have been in Monument Valley or Brackettville and we would have had color stock. Ford had to accept those terms or not make the film.
Another condition imposed by the studio, according to Van Cleef, was that Wayne be cast as Doniphon. Ford resented the studio's intrusion and retaliated by taunting Wayne relentlessly throughout the filming. Wayne's football career at USC had been curtailed by injuries. He also ridiculed Wayne for failing to enlist during World War II , during which Ford filmed a series of widely praised combat documentaries for the Office of Strategic Services and was wounded at the Battle of Midway ,  and Stewart served with distinction as a bomber pilot and commanded a bomber group.
Wayne's avoidance of wartime service was a major source of guilt for him in his later years. Stewart related that midway through filming, Wayne asked him why he, Stewart, never seemed to be the target of Ford's venomous remarks. Other cast- and crew-members also noticed Stewart's apparent immunity from Ford's abuse.
Then, toward the end of filming, Ford asked Stewart what he thought of Strode's costume for the film's beginning and end, when the actors were playing their parts 25 years older. Stewart replied, "It looks a bit Uncle Remussy to me. Now, I don't know if Mr. Stewart has a prejudice against Negroes, but I just wanted you all to know about it. I'm glad you made it. Ford's behavior " When the horses did stop, Wayne tried to pick a fight with the younger and fitter Strode. Ford called out, "Don't hit him, Woody, we need him. We both gotta be professionals.
Stewart received top billing over Wayne on promotional posters, but in the film itself Wayne's screen card appears first. The studio also specified that Wayne's name appear before Stewart's on theatre marquees, reportedly at Ford's request.
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The film's music score was composed by Cyril J. He told Bogdanovich that he used the theme in both films to evoke repressed desire and lost love. Though based upon the movie's plotline, it was not used in the film. Pitney said in an interview that he was in the studio about to record the song when " Bacharach informed us that the film just came out. Members of the Western Writers of America chose it as one of the top Western songs of all time.
Liberty Valance was released in April , and achieved both financial and critical success. Edith Head 's costumes were nominated for an Academy Award for Best Costume Design black-and-white , one of the few Westerns ever nominated in that category. Contemporary reviews were generally positive, although a number of critics thought the final act was a letdown. Variety called the film "entertaining and emotionally involving," but thought if the film had ended 20 minutes earlier, "it would have been a taut, cumulative study of the irony of heroic destiny," instead of concluding with "condescending, melodramatic, anticlimactic strokes.
What should have been left to enthrall the imagination is spelled out until there is nothing left to savor or discuss. The Monthly Film Bulletin agreed, lamenting that the "final anticlimactic 20 minutes Ford, who has struck more gold in the West than any other film-maker, also has mined a rich vein here," but opined that the film "bogs down" once Stoddard becomes famous, en route to "an obvious, overlong, and garrulous anticlimax.
Richard L. Coe of The Washington Post called the film "a leisurely yarn boasting fine performances," but was bothered by "the incredulous fact that the lively townsfolk of Shinbone didn't polish off Valence [sic] for themselves.
On TV he would have been dispatched by the second commercial and the villainy would have passed to some shadowy employer, some ruthless rancher who didn't want statehood. John L. Scott of the Los Angeles Times wrote, "Director Ford is guilty of a few lengthy, slow periods in his story-telling, but for the most part the old, reliable Ford touches are there. Ford's best work. More recent assessments have been more uniformly positive. The film is considered one of Ford's best,  and in one poll, ranked with The Searchers and The Shootist as one of Wayne's best Westerns. The New Yorker ' s Richard Brody described it as "the greatest American political movie", because of its depictions of a free press, town meetings, statehood debates, and the "civilizing influence" of education in frontier America.
The film is recognized by American Film Institute in these lists:. From Wikipedia, the free encyclopedia. This article is about film. Theatrical release poster. Willis Goldbeck John Ford. James Warner Bellah Willis Goldbeck. Paramount Pictures. The result is a series that is weird, unsettling, and completely awesome. If goofy comedy gems like Comedy Bang Bang! The show features a rotating parade of guests, each of whom take on their own magical identity and engage in a ridiculous game of improvisational world-building.
Got a hole in your heart where your flesh-fueled love of The Walking Dead used to live? This fast-paced zombie apocalypse survival drama follows soldier Michael Cross, who finds himself living a real-life horror story when an undead infestation begins to take over Los Angeles. He joins up with a hodge-podge group of survivors seeking resources, shelter, and safety while struggling to determine if they can trust each other.
As the makeshift-family grows closer and works to create a safe haven for themselves, they begin to uncover a series of disturbing clues that will leave them wondering which is the greater of two evils: the undead or their fellow humans.
The series is hosted by Alex Reagan, an insatiably curious journalist who sets out to produce a biography of Dr. Richard Strand, a paranormal investigator who can best be described as the James Randi of supernatural events. As she works to profile her subject, Reagan becomes increasingly fascinated with what she calls The Black Tapes, a series of strange occurrences that Dr. Strand has been unable to debunk. The more Reagan delves into the Tapes and a past that Strand seems determined to hide , the more obsessive she becomes about uncovering the truth.
The Bright Sessions begins as a series of recorded therapy sessions led by Dr. As we meet more and more of Dr.